FILM 384U Divorce in American Film
INSTRUCTOR: Professor Michael Weingrad
MODE: Face to Face
Mon./ Wed. 4:00pm - 5:50pm
LOCATION: LH 331 (Lincoln Hall)
CRN: 41274
Divorce has been an important subject in American film from the Silent Era to the present, reflecting shifting attitudes toward courtship and marriage, gender and class, liberty and responsibility. Looking at the production, reception, and literary sources of over a dozen American films, we will consider divorce as comedy, as tragedy, and as gauge of American anxieties and aspirations. Particular topics will include the “comedy of remarriage” in films of the 1930s and 40s, divorce and American Jews, the impact of the 1960s counterculture, and how and when the concern for children is treated. Films include The Divorcee (1930), Dodsworth (1936), The Women (1939), Palm Beach Story (1942), Petulia (1968), The Heartbreak Kid (1972), Blume in Love (1973), Hester Street (1975), An Unmarried Woman (1978), Kramer vs. Kramer (1979), The Squid and the Whale (2005), and Marriage Story (2019). Readings include Henry James, What Maisie Knew; C. S. Lewis, The Four Loves; and Stephen Sondheim and George Furth, Company.
Fulfills University Studies cluster requirements: American Identities and Examining Popular Culture
This course fulfills the BA Fine and Performing Arts requirement
FILM course fees: Students and auditors taking any film course will be charged a $45.00 fee. This is a fee that the Film department applies to all of their courses.