THE WORK OF ART

• It examines works of art from a dance of disciplines -- philosophy, architecture, visual arts, performance, advertising, science, literature, history, popular culture, etc. -- and shows how to gain meaning from them.
• It looks at the work that goes into the production of these artifacts: the technical expertise and creativity required of artists in the disciplines.
• It looks at the work art does in the world -- how it shapes, reflects, disguises, complicates, challenges, or brings reality to our assumptions about the world. How is it, for example, that the artistic products of various disciplines impact our understanding of gender, class, national, and racial identities? What are the artistic levers with which we can move our world forward? What can looking through the lens of “art” at the products from a broad range of disciplines reveal about ourselves, our culture[s] and our society? How does the art we do and the art we experience shape our identity? How does it disguise or reveal our essence, heal our hearts, and enable our joy? How does art influence cultural change? How can we use the arts to build community?

FACULTY BIOS

Tom Fisher received his MA and Ph.D. in English Language and Literature from the State University of New York at Buffalo. A participant of the unique Poetics Program there, Tom pursued his interests in poetry through both traditional academic study and involvement in Buffalo’s vibrant literary community. He is interested primarily in independently published and nontraditional work that challenges and expands our sense of the literary. Also, as an undergraduate at Oberlin College, Tom studied Classics and has recently returned to it as both a scholar and a teacher. He is very enthusiastic about teaching in Freshman Inquiry and enjoys bringing his various interests, including music, art and theory, as well as his engaged and open teaching practice to the program.

Joseph Long (1998) Ph.D. Assistant Professor of University Studies. Ph.D. 1997 Stanford University.

 
Jamie P. Ross has been teaching philosophy and interdisciplinary studies at Portland State University since 1992. She received her Ph.D. in philosophy in 1995 from the University of Oregon and has an undergraduate degree in philosophy from Bryn Mawr College in Pennsylvania. Her areas of specialization are feminist philosophy and American pragmatism. Her goal in teaching is to show students that philosophy and critical inquiry are the bases of all further learning. It has been said of her reputation as a professor at Portland State University that she “has high standards but is fair.” One of her teaching concerns is the low number of women in philosophy as well as other traditionally male dominated fields. She hopes to contribute to a change in that trend by setting an example of alternative ways of interpreting and studying traditional and classical philosophy. Dr. Ross hails from New York City. She skis, rides horses and enjoys Dixieland jazz and baroque music.

Jack Straton earned a BFA in Photography from the University of Oregon in 1977, worked as a professional jazz drummer for three years, and then returned to the U of O in the 1980s to earn a doctorate in quantum theory. Both as a volunteer and professional diversity trainer, he has facilitated several hundred workshops on issues ranging from “Ending Sexual Assault” to “Unlearning Racism.” Jack’s teaching links all of this. He has served as co-chair of the National Organization for Men Against Sexism (NOMAS) and writes and speaks on ethical and public policy issues related to the overlap between child abuse and woman abuse. He loves hiking, rollerblading, photographing, yoga, and music.